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Written by Hao Jingfang , was awarded a Hugo Prize in 2016. A first for a Chinese woman in a discipline that rarely distinguishes women. She describes a Beijing of the future that houses its 80 million inhabitants in three distinct spaces for the social classes that populate it, in a city that folds and folds back up as the days go by. Some live their day on the surface before sinking in turn into an artificial 48-hour night. An opportunity to address themes as sensitive for today's China as inequality, access to education, loneliness or frustration.



Hao Jingfang via Wikipedia

This appetite for these stories of the future gambling data vietnam also extends to the cinema : a way to compete with the United States, whose blogbusters are very present in the country's 60,000 movie theaters. Making films locally or co-producing ambitious projects with foreign directors and actors are a priority. It's about learning quickly and starting to make it known. This was the mission of the big-budget film, The Wandering Earth , released in 2019, based on a short story by Liu Cixin. It features a planet Earth forced to propel itself into space to avoid the promised destruction. A big success at the Chinese box office, a lot of media hype elsewhere, for an ambitious film that wants to be up to international standards of the genre, but which remains clumsy in its writing and still below par in the quality of its special effects. But, let's be sure, there will be others, which will end up surprising us.