In its marriage with real time, the studio which constitutes the predominant place of television news, is undergoing an almost permanent renovation. The reporter who intervenes, sometimes at length live on continuous news channels, most often appears with a window at his side where one can see images "related" to his speech. A new problem, therefore, of illustration.
These media the virulent reproach of being japan mobile database anxiety-provoking by dint of "broadcasting in a loop" the world's uproar . In fact, this broadcast because of the illustration of a head that we think is unbearable to see in the long run, is not without raising many questions. The relevance of the chosen shots, their adequacy with the statement, their circular effect clearly show that a use that has become daily requires constant vigilance.
Similarly, these "frescoes" - professional expression - set up in the large screens in the background that frame those in charge of presenting the newspaper. Wide shots, close-ups, the effect of meaning is instantaneous. The danger lurks at all times, in the filming and of course we have cruelly seen it, in the choice, and especially in the possible intervention on the fixed image that we give to see.
These sometimes repetitive images have earned
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